Our photos have arrived, and They Are Awesome

I'm beyond thrilled to share the results of our photo shoot, taken by Cole Simon. A few of our cast members, Kevin Webb, Gwen Tulin and Caitlin Jackson, got decked out in the finery our costume designer Beth Laske-Miller put together, with a guest cameo by yours truly as a certain claw. Check these out- I'm so, so happy with them and they really capture both the mood and how cool the show will be!

Shockheaded Photo- Claw.jpg
Shockheaded Photo- Duo.jpg
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Photo Shoot! Photo Shoot!

This coming weekend we have one of my favorite parts of any production process- our photographer, Cole Simon, will be getting together some of our cast members to do a photo shoot. Cole (of Cole Simon Photo) will be collaborating with our awesome costume and props designers to put together some awesome images to whet everyone's appetite for the production. We've been collecting claws, scissors, accordions, facepaint, and other assorted goodies for the shoot, and I'm tremendously excited; Cole does excellent work, as you can see from some of his production photos below (from Coraline and Goblin Market). I'll post the new photos here once they're ready.

-Ed R

Just a taste of the talent on tap...

Hi there! We've got a million things to do between now and the start of rehearsals for the show, just after July 4th. But I just wanted to give you a taste of some of the awesome talent and skills we'll have on display during the show. If you catch this production, you'll see at least one actor who:

-Can walk on four foot stilts -Is an advanced ballet dancer and also plays alto saxophone -Plays accordion -Plays a grab bag of other instruments including cello and melodica -Is skilled at shadow puppetry -Can tumble, contort and do other assorted physical feats

Suffice to say, I'm beyond pumped to get started with everyone. This is going to be something special.

-Ed R

Welcome to magic.

Hi everyone! Just getting things off the ground here at the new Black Button Eyes Productions website. Feel free to take a look around- we have information on the first show of our fourth season, Shockheaded Peter and will be adding additional nifty information very soon. Thanks and welcome!

Faerie Rules in the World of Coraline

Beware, here be some spoilers!

Coraline is a contemporary faerie tale. I use the “fae” version of spelling purposefully; I think that Neil Gaiman intentionally draws on some of the folkloric rules for going to faerie realms in this story. For instance:

-The Beldam (as the Other Mother is also known) is a creature of glamour. A ‘glamour’ in faerie folklore is a magic spell of seeming; the ability to enchant one thing to appear as something else altogether. It is frequently used in stories by faerie creatures to appear more beautiful, or welcoming, or powerful than they actually are. In this case, the Other Mother uses glamour, both on herself to appear more like Coraline’s mother, and on her world to make it more enticing to Coraline and other victims.

-Much is made in the original text (though to a lesser extent in this adaptation) about the danger of eating the Other Mother’s Food; it makes Coraline’s head feel fuzzy and makes her more compliant and less able to see through the Other Mother’s illusions. In the original novel, Coraline even brings her own food supply with her when she goes back to rescue her parents. This idea is also drawn from stories of faerie folklore. According to the old stories, it is terribly dangerous to eat food when you go to fairyland; the results can be anything from being transformed into an animal (as on the Island of Circe in The Odyssey) or being trapped in the realm forever (Persephone eating pomegranate seeds in the underworld) or even turning to dust if one ever reaches the ‘real’ world again. In this production we’re exploring that idea a bit further to make more clear why the first thing the Other Mother does when Coraline first arrives in the Other World is to serve a meal. Eating the food of the Other World gives the Other Mother certain powers and rights over Coraline, even if Coraline does have some kind of protection with her.

-….which brings us to the ‘little stone with a hole in it.” Such stones are known variously as ‘witch stones,’ ‘hag stones,’ and ‘faerie stones.’ According to folklore these stones are supposed to be protection against evil, and in the story of Coraline, a hag stone definitely serves that purpose. Looking through a hole in a faerie stone is also one way to see true things instead of the false illusions of glamour, and Gaiman’s story gives the little stone that ability, too.

-One other concept that frequently crops up is the idea of Changelings; of people being ‘spirited away to fairyland’ with something else being left behind in their place. In this production, we’re exploring that idea a bit as we examine the spiriting away of Coraline’s parents. How, exactly? You’ll need to check out the production to see!

-Ed Rutherford, Director